Soon after reuniting along with her half siblings, Magdalena (Agustina Cerviño), the unlikely protagonist of “Rock, Paper and Scissors,” takes a tumble down the numerous, many stairs of her childhood house. It is unclear if she was pushed — and if that’s the case, by whom — however it’s obvious that this film, directed by Macarena García Lenzi and Martín Blousson, properly withholds its revelations.
Forced into the care of her siblings, Magdalena languishes within the mattress the place their father not too long ago died. Her sister María José (Valeria Giorcelli) stays ever-watchful whereas their brother, Jesús (Pablo Sigal), acts as a passive confidant. Before Magdalena arrived to gather her share of their father’s inheritance, the three hadn’t spoken in years. As her situation worsens and the siblings’ habits turns into more and more erratic, she should use their shared previous to strive and manipulate her manner out of captivity.
That previous is loaded, to make sure. María José, as dedicated to God as she is to “The Wizard of Oz,” vacillates wildly between the familial nurturer and an Annie Wilkes impersonator. Jesús is simply as menacing however hovers within the periphery, content material to make violent, experimental quick movies. He is one thing of a household outsider for being homosexual, whereas Magdalena is often maligned for having a mom with darker pores and skin, although these particulars don’t add a lot to the script besides a couple of jarring slurs.
There are not any straightforward solutions on the finish of Magdalena’s journey, however her story is as attention-grabbing as it’s confounding. Given the forged’s three excellent performances and slick camerawork by Nicolás Colledani, this makes for an interesting capsule of household brutality.